News


Forthcoming Exhibitions 2015

Denise Green: paintings, drawings, photographs
Sundaram Tagore Gallery
547 West 27th Street
New York, New York 10001
email: gallery@sundaramtagore.com
Dates: 15 January - 21 February, 2015

Elle, wall painting
Museum of Contemporary Art Australia
140 George Street
Sydney NSW 1223
www.mca.com.au
Dates: January - December, 2015

VAC /La Trobe University Visual Arts Center
121 View Street
Bendigo, Vic Australia 3550
www.latrobe.edu.au/vac/contact-us
Dates: 29 April - 14 June, 2015

Andrew Baker Art Dealer
26 Brookes Street
Bowen Hills, Qld Australia 4006
info@andrew-baker.com
Dates: May, 2015

Palazzo Grimani Museum
Curated by Sundaram Tagore and Dr. Marius Kwint
to coincide with the 56th Venice Biennale
Ramo Grimani 4858
Venice 30122 Italy
gallery@sundaramtagore.com
4 May - 22 November, 2015

Denise Green: The Saar (and Subjectivity)
Museum Schloss Fellenberg
Torstraße 45a
66663 Merzig, Germany
info@museum-schloss-fellenberg.de
Dates: 3 November, 2015 - 28 February, 2016


Forthcoming Exhibitions 2016-17

The University of Queensland Art Museum
James and Mary Emelia Mayne Centre (Building 11)
University Drive
The University of Queensland
St Lucia Qld 4067 Australia
artmuseum@uq.edu.au
Dates: 2016 TBA

Heide Museum of Modern Art
7 Templestowe Road
Bulleen VIC 3105 Australia
info@heide.com.au
Dates: April - June 2017


Recent writings by Denise Green

Art Forum lecture
"Subjectivity and Artistic Intention," Asian Art News, Hong Kong, Jan-Feb, 2014 Vol. 24, Number 1. pp. 63-66.

"Painting and Cinema," The Journal of Contemporary Painting, vol.1, issue 1, 2014. Published by Intellect, Bristol, Great Britain.


Interview

The Arts Show, Highlands FM, Melbourne. Radio interview by Alex McCulloch, 30 May, 2014.
www.alexmccullochart.com.au


Denise Green: An Artist's Odyssey

Macmillan Art Publishing, 2012
University of Minnesota Press, 2012


Statement about the book: Denise Green is one of the few Australian artists of her generation to have gone overseas and sustained a career in New York. There were no models for this. She recounts 40 years of maintaining a practice in Europe, the USA and Australia in an increasingly globalized art world. There are three main themes to the book: what led Green to become an artist, a critical appraisal of her work and its evolution, and the development of her career.

In this book there is a dialectic between the critical and autobiographical. In Green's three chapters she describes her beginnings in Brisbane and her subsequent years of training in Paris where she witnessed the events of 1968. Moving to New York's Soho to develop as a painter, she became embroiled in an art world that was theoretically and ideologically challenging painting. New York still provided a serious context for painting, but as a cutting edge practice, it was being given less serious consideration. Despite these challenges she maintained her focus as a painter and shaped an international career. Moreover, in her writings about art, she countered the prevailing ideology.

The book is unique because of the interplay of voices and perspectives. It stands as a monograph, an autobiography and a critical study. In addition to Green's chapters, it includes nine chapters by prominent figures in the art world from diverse backgrounds now based in Australia, the USA or Europe. Ingrid Periz, Richard Kalina, Frances Lindsay, Anthony Bond, Peter Timms, Roland Moenig, Christoph Trepesch, Lilly Wei and Kerry Stokes add perspective to the book's historical context and a wider opinion on the globalized art world today.