Lectures

La Trobe Art Institute University, Bendigo. ‘Form, Subjectivity, Paradox’, 15 April

Maryland Institute College of Art, Baltimore. ‘Having a Career in New York and Europe’, 25 Feb.

Academie Minerva, Groningen, Holland. ‘An Artist’s Odyssey’, 5 March.

NYU Paris, France. ‘Bridging Three Worlds’, 12 March

Neue Wiener Gruppe/Lacan Schule – Charim Galerie, Vienna, Austria. ‘Is there a place for Subjectivity? Re-thinking the role of artistic intent’. 11 March.

Sundaram Tagore Gallery, New York. ‘Bridging Three Worlds’, 28 June.

Pennsylvania Academy of Fine Art, Philadelphia. ‘How to Fashion an Artistic Career’. 3 April.

Montclair University, Art Forum Lecture Series. ‘A new pathway for navigating the art world’, 2 October.

Hochschule der Bildenden Kunste Saar in cooperation with Saarland University. ‘If I can make it there..Similarities and Differences between New York and Europe’, 5 May.

National Gallery of Victoria, Melbourne. ‘An Artist’s Odyssey in a Globalized Era’, 11 Feb.

Avid Reader, Brisbane [reading]. ‘A Brisbane Beginning’, 6 March.

Queensland College of Art, Griffith University, Brisbane. ‘My Career in New York and Europe’, 8 March.

Art Gallery of New South Wales, Sydney. ‘An Artist’s Odyssey’, 10 March.

ABC National Radio Books and Arts Program [radio interview]. ‘Denise Green with Michael Cathcart’, 12 March.

RMIT University, Melbourne. ‘An Artist’s Odyssey in a Globalized Era’, 13 March.

Australian National University, Fringe Forum Workshop. ‘Bridging Three Worlds’, 15 March.

College of Fine Arts (COFA), University of New South Wales, Sydney. ‘An Artist’s Odyssey in a Globalized Era’, 20 March.

Sydney College of the Arts. ‘An Artist’s Odyssey in a Globalized Era’, 21 March.

Tasmanian School of Art, Hobart, Art Forum Lecture. ‘An Artist’s Odyssey’, 23 March.

Institut fur aktuelle Kunst, Saarlouis, Germany. ‘Painting and Trauma’, 9 September.

Deutsche Amerikanische Institut, Saarbrucken, Germany. ‘Painting and Trauma’, 10 September.

Schloss Saarbrucken, 10 Jahre Wirtschaftsclub Saar-Pfalz-Moselle. ‘Painting and Trauma’, 11 September.

Monash University, Faculty of Art and Design, Melbourne. ‘My Career in New York and Europe’.

Curtin University of Technology, Perth. Gillian Bradshaw Lecture Series. ‘A Pause in Paris’.

Connecticut College, New London. ‘Metonymy in Contemporary Art’, Nov. 20.

Pennslvania Academy of Fine Arts, ‘Metonymy in Contemporary Art’, February 1.

Montclair State University, Montclair. ‘Metonymy in Contemporary Art’.

The École nationale supérieure des Beaux-Arts, Paris. ‘La Métonymie dans l’art Contemporain: un nouveau paradigm. March 8.

University Art Museum, Brisbane. ‘A Rose is A Rose…Conversation with Peter Spearritt’.

Kunstmuseum Bonn. ‘Metonymy in Contemporary Art’.

Albertina Museum Vienna. ‘Metonymy in Contemporary Art’.

Ecole des Beaux Arts, Paris, ‘Metonymy in Contemporary Art’.

Savannah College of Art and Design, Savannah. ‘Metonymy in Contemporary Art’.

Webster University, St. Louis. ‘Metonymy in Contemporary Art’.

New York Studio School, New York. ‘Metonymy in Contemporary Art’.

Art Gallery of New South Wales, Sydney. ‘Metonymy in Contemporary Art’.

Australian National Univ., Centre for Cross-Cultural Research, ‘Metonymy in Contemporary Art.’

Lawrence Wilson Gallery, Univ. of Western Australia, Perth. ‘Metonymy in Contemporary Art

Tasmanian Schoool of the Arts, Hobart. ‘Metonymy in Contemporary Art’.

The Bureau of Ideas, Perth. ‘Painting and Trauma’, August 7.

Galerie Marlies Hanstein, Saarbrucken, Germany. ‘Concentric Nests: the inspiration for some new ideas in my recent work’

Kunsthochscule, Berline-Weissensee. ’11 September, 2001 – the impact of the attacks on an Artist’s Work’, May 21.

Deutsche-Amerikanisches Institute, Saarbrucken. ‘Under What Circumstances, if any, is going to War Justified?’ May 15.

Victorian College for the Arts,Melbourne. ‘Metaphor and Metonymy in Contemporary Painting’, April.

Pennsylvania Academy of Fine Arts, Philadelphia ‘Metonymic Thinking in Painting’.

Pratt Institute, New York.   ‘Cultural Relationships of Modernist and Aboriginal Art.’

Kent State University. ‘Metonymy Thinking in Painting’.

Musee Moderne Kunst Stiftung Ludwig, Vienna. ‘Ethnic Minorities in the Art World,’ October.

The Maryland Institute of Art, Baltimore The Maryland Institute of Art, Baltimore. ‘Painting Post Greenberg’

Corcoran Gallery of Art, Washington DC. ‘Australia on my Mind.’

Brown University, Providence. ‘Painterly Thought and the Unconscious’.

Art Center College of Design, Pasadena. ‘What is the Relevance of Painting’

Syracuse University, Syracuse, NY. How I have invented elements in my own visual language.

Pratt Institute, New York. How intuitive changes occur in Painting.

Queensland University of Technology, Brisbane. Painterly Thought.

Griffith Artworks, Griffith University, Brisbane. ‘Lecture.’

Curtin University of Technology, Perth. ‘Lecture.”

Art Gallery of Western Australia, Perth, ‘The Longhouse,’ 16 Nov

University of Illinois, Circle campus, Chicago. ‘Lecture.’

School of Visual Arts, New York. ‘Lecture.’

Maryland Institute, College of Art, Baltimore. ‘Lecture’

California Institute for the Arts, Valencia, CA ‘Lecture’,

Neuberger Museum SUNY ‘Art Talks’, March 11

University of Illinois, Circle Campus, Chicago. ‘Lecture on my work.’ March.

Brown University, Providence. ‘Lecture.’ February

Syracuse University, Syracuse, NY. ‘Lecture.” February

Hartwick College, Oneonta. ‘Lecture.’

School of Visual Arts, New York ‘Pluralism: Purity and Eclecticism in Art and Criticism’ ‘Ellipses’, Virginia Commonwealth University, Richmond.

SUNY. Empire State College. ‘Discussion of work.’ February 30.

Sydney University, Power Foundation Lecture series, Sydney, ‘The context for art production in America in the 70s’, March.

Melbourne University Union, Victoria. ‘An illustrated lecture on her work in the context of recent

American painting.” April

St. Louis Art Museum, Contemporary Art Society, St. Louis ‘Lecture.’ October.

Nova Scotia College of Art and Design, Halifax ‘Lecture’. October.

Adelaide College of the Arts and Education, Underdale Visiting Lecturer, Painting Department. April.

New York University, New York ‘Colloquim on the Avant Garde; The Premises on which painting is done today’. March.

Sydney College for the Arts., “Contemporary Painting’. March.

Corcoran School of Art, Washington D.C. ‘Discussion of work’.

Montclair State University, New Jersey. ‘Lecture.’ October.

Art Gallery of New South Wales, Sydney.’Lecture’. September

Maryland Institute, Baltimore. ‘Discussion of work.’ February

Ecole Nationale Superieure des Beaus Arts, Paris, ‘Nouvelles Tendencies Americanes’

School of Visual Arts, ‘Discussion of work.’

Cooper Union, New York ‘Lecture’

Philadelphia College of Art, Philadelphia ‘Discussion of work.’

Kutztown State College, Pennsylvania. Art Residence Series appointment and Lecture. February.

Murray State University, Kentucky. ‘Discussion of work.’

Art Institute of Chicago, Chicago ‘Discussion of work’

Carnegie Mellon University, Pittsburg ‘Lecture’

Illinois State University, Normal, Illinois. ‘Lecture’

University of Chicago, Chicago ‘Discussion of Work’